10:00am is Much Too Early

Greetings. Well, due to lack of ideas here's the Top Three hardcore records of the 1980's. You might be thinking to yourself "Well, Luke you really only existed for half of the 80's and in those five years all you did was watch cartoons and eat food." And I'd say "Well, no shit."

Gorilla Biscuits - "Start Today"
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It's the record that says it all. Late in the 1980's in New York City, Sunday Matinees at CBGB's were all the rage; kids could go see a show and be back in time for school the next day! Gorilla Biscuits happened to be a part of this whole "youth-crew" movement, putting music back into the hands of kids who were completely straight-edge, and completely not old enough to buy cigarettes or booze. This record changed a hell of a lot of things. Gorilla Biscuits weren't forgettable prior to this record. Their original demo and self-titled recordings were...intimidating to say the least. But they 'broke down the walls' (oh what shtick) by creating music that revolved around positivity, vegetarianism, and of course, fun! This is notably one of the first times that music that was furious came head-to-head with awesome melodies and more-than-memorable lyrics and crew-style sing-a-longs. A mind blowing band in every sense of the phrase.

Minor Threat - "Minor Threat"
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Minor Threat, without a doubt, created an aggression to punk rock music that was only paralleled by other D.C. greats of their day (S.O.A., Bad Brains, etc.). Their self-titled record was short and sweet, as most hardcore was in their day; their record played like a circle pit in your head; their lyrics were as simple as they were profound. The late projects of this band obviously get more noteriety (Fugazi, Bad Religion, etc.) but this band re-wrote the rule book for the 1980's. Stand up! And be counted!

Black Flag - "Damaged"
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Arguably the first hardcore band (I say arguably because well it's not like anybody announced themself as a genre, obviously) and an incredibly significant one. This is what dissonance and chaos are all about. Greg Ginn basically set up everything for hardcore to become more than just 4/4 time and power chords. From incredibly funny social satire to songs of just being pissed off, Black Flag's name isn't going anywhere.


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